DIY - Some Notes
A key term within my practice, and the broader music communities I identify with, is DIY. But what does this mean?
A key term within my practice, and the broader music communities I identify with, is DIY. But what does this mean?
A key term within my practice, and the broader music communities I identify with, is DIY. But what does this mean?
I presented a video paper at the Vibrant Practices Symposium in April, earlier this year.
Posset-bot takes early retirement
By denying buyers the possibility of direct economic relationships with sellers, Spotify has no choice but to continue to pursue its delusional, illegal, stu...
Posset-bot takes early retirement
A Telegram bot performing a collaged stream of bits and bobs
I’m always interested in stuff around ‘work’ and/or ‘labour’ around DIY music scenes and how it intersects with wider criticism of capitalism etc. I wanted t...
A slight annoyance in some of the literature I sometimes encounter during my PhD is the way alternative or, so-called, counter-cultures are represented as so...
Here, I wanted to catalogue some of the ways my current feedback circuits are broken, and how I’m still using them anyway.
I recently finished reading Anna Lowenhaupt Tsing’s ‘The Mushroom at the End of the World’. It wasn’t directly relevant to my work but has sparked a couple o...
A Telegram bot performing a collaged stream of bits and bobs
The hidden costs of Barker’s €150 plate reverb and solenoid percussion system
I’m always interested in stuff around ‘work’ and/or ‘labour’ around DIY music scenes and how it intersects with wider criticism of capitalism etc. I wanted t...
I recently finished reading Anna Lowenhaupt Tsing’s ‘The Mushroom at the End of the World’. It wasn’t directly relevant to my work but has sparked a couple o...
I’ll be playing NottNOISE (Nottingham) on Monday 16th March.
I recently finished reading Anna Lowenhaupt Tsing’s ‘The Mushroom at the End of the World’. It wasn’t directly relevant to my work but has sparked a couple o...
I’m always interested in stuff around ‘work’ and/or ‘labour’ around DIY music scenes and how it intersects with wider criticism of capitalism etc. I wanted t...
I’m always interested in stuff around ‘work’ and/or ‘labour’ around DIY music scenes and how it intersects with wider criticism of capitalism etc. I wanted t...
I’ll be playing NottNOISE (Nottingham) on Monday 16th March.
Here, I wanted to catalogue some of the ways my current feedback circuits are broken, and how I’m still using them anyway.
Here, I wanted to catalogue some of the ways my current feedback circuits are broken, and how I’m still using them anyway.
I presented a video paper at the Vibrant Practices Symposium in April, earlier this year.
The hidden costs of Barker’s €150 plate reverb and solenoid percussion system
I’m always interested in stuff around ‘work’ and/or ‘labour’ around DIY music scenes and how it intersects with wider criticism of capitalism etc. I wanted t...
The hidden costs of Barker’s €150 plate reverb and solenoid percussion system
A tutorial on turning Peter Blasser’s ‘Paper Circuits’ into files needed for Printed Circuit Board manufacturing.
A tutorial on turning Peter Blasser’s ‘Paper Circuits’ into files needed for Printed Circuit Board manufacturing.
A tutorial on turning Peter Blasser’s ‘Paper Circuits’ into files needed for Printed Circuit Board manufacturing.
I presented a video paper at the Vibrant Practices Symposium in April, earlier this year.
A Telegram bot performing a collaged stream of bits and bobs
I’ll be playing NottNOISE (Nottingham) on Monday 16th March.
Here, I wanted to catalogue some of the ways my current feedback circuits are broken, and how I’m still using them anyway.
I presented a video paper at the Vibrant Practices Symposium in April, earlier this year.
I recently finished reading Anna Lowenhaupt Tsing’s ‘The Mushroom at the End of the World’. It wasn’t directly relevant to my work but has sparked a couple o...
A slight annoyance in some of the literature I sometimes encounter during my PhD is the way alternative or, so-called, counter-cultures are represented as so...
Posset-bot takes early retirement
A key term within my practice, and the broader music communities I identify with, is DIY. But what does this mean?
Here, I wanted to catalogue some of the ways my current feedback circuits are broken, and how I’m still using them anyway.
By denying buyers the possibility of direct economic relationships with sellers, Spotify has no choice but to continue to pursue its delusional, illegal, stu...
I’m always interested in stuff around ‘work’ and/or ‘labour’ around DIY music scenes and how it intersects with wider criticism of capitalism etc. I wanted t...
I presented a video paper at the Vibrant Practices Symposium in April, earlier this year.
A Telegram bot performing a collaged stream of bits and bobs
The hidden costs of Barker’s €150 plate reverb and solenoid percussion system
I presented a video paper at the Vibrant Practices Symposium in April, earlier this year.